Check-out time at the retreat was 11:00 a.m., but Susan wanted to see the Park (her first time there), so we packed up quickly and skedaddled five km down the road to Keji, arriving around 9:00.
After a quick tour of Mill Falls, Jake’s Landing, and the Eel Weir, which included lots of picture taking and stopping multiple times to watch the deer, Susan headed back to the city.
I had some lunch and made my way to Keji Beach. The stillness was broken only by the sound of acorns dropping. Mind you, when they hit the picnic tables, the “crack” echoed across the lake!
Not keen on being pelted while I painted, I chose a sunny table on the sand with no overhanging oaks!
Thinking back on all the work we did over the summer, I’m not convinced I’ve improved that much and I’m looking forward to doing some studio work.
When I commented at the retreat that I wasn’t able to repeat the techniques we learned without the instructor there, one of the other artists reminded me that our instructor has been painting for over fifty years and has earned a Fine Arts degree under masters like Alex Colville. I’ve got a ways to go –if I live that long.
Isn’t it true that sometimes, what we really need to learn is a bit of perspective!?! 😊
Capturing the colours of autumn in Nova Scotia is the goal of many artists. The Mersey River retreat weekend was a great opportunity to play with oranges and reds.
Two paintings came off the easel today with only one passable for posting.
For the morning set up, I paddled out to a floating dock.
The plan was to capture the canoe in front of the mouth of the Mersey River. The foam ended up looking like snow, and the colour in the reflections ran badly, turning the lake a muddy orange. Plus… the perspective on the canoe was off, making it look like a dory! I gave up and went for a nice paddle instead.
The paddle lifted my spirits and after a good lunch I headed back out to find a less challenging view.
The afternoon painting was unfinished as the rain began to add a bit of unplanned texture. It gave a nice effect to the big tree on the right, but worried about all the colours running, I packed up quickly to join the other painters for supper.
As always, the critique at the end of the day was gentle and constructive. Muting the background colours would give better depth. Placing the large rock further to the left would balance the composition more. And, some of the foreground darks could be darker.
Helpful advice is one of the best reasons to paint with a group. It’s always a pleasure to spend time with these artists.
A cold morning turned into a hot afternoon on Ridge Road. The distillery was a great spot for the Plein Air Artists of the Annapolis Valley to meet for their second to last paint out. There were outside picnic tables and tea and scones available for purchase.
I felt I made some progress capturing the fall colours, softening the hard edges and getting some accuracy in scale and perspective.
Settled in now at Mersey River Chalets with The Evangeline Artists for the next three nights for a painting retreat and one day workshop with Roger Savage.
I had some time this morning to sketch the front yard of the cottage where we are staying. The River Moriston flows alongside the road adding to the beauty of the mountains (visible through two sets of patio doors).
My little 4″x5″ sketch on scrap paper doesn’t do it justice but was still fun to do on a rainy morning. Despite the rain, we are having a good vacation and have decided to stay in this spot for an extra night.
Overlooking Loch Loyne. Rainy days and sight-seeing have kept me from painting most days. I have to admit though, I am in awe of the beautiful scenery in the Scottish highlands. The colours are just starting to turn. I painted today from inside a dry car while husband hiked in the rain along a trail to the left of this scene.